"'We have lost the first of the ebb,' said the director suddenly."
The director's words fall after Marlow finishes his story but before the narrator ends the novel. So the director's words take up the narrative after Marlow dwells too much on Kurtz and loses his voice: "dead short" suggests that Kurtz, "short," has consumed Marlow. On seeing Marlow fall, the director, originally described as a savior figure: "our host" and "resembels a pilot," emerges as a savior--the director's practical statement jolts the men from their imaginations and lets them see a practical problem with the river--gives them something other than Marlow's narrative to think about.
Though Marlow's narrative does flow like the rushing and dangerous shallow water at the end of the ebb from high tide to low tide, the director's words take the river out of the men's imaginations and allow the men to see the river and its darkenss as something outside of them. So the director's words suggest that our use of words are powerful things--we can use them either to plunge us into the dark or to keep us at the surface.
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